Saturday 15th of December 2018

MY FEMINISM IS HUMANISM: APARNA SEN

Category: National Published: Monday, 11 December 2017

Thiruvananthapuram: Renowned Indian director, screenwriter, and actress Aparna Sen who has been branded as feminist filmmaker said her feminism is humanism. Aparna Sen, was addressing the audience in the Aravindan Memorial Lecture as part of the International Film Festival of Kerala, at the Nila theatre. The lecture was in memory of G.Aravindan, a multifaceted genius, who continues to captivate the audience with unique sensibility of creative vibrancy. Film critic C.S.Venkiteswaran talked on the brilliance of the maestro.

“I have never intended to be a director. What is important is exposure”, said Aparna Sen, associating a journey to the inside of one’s mind to a physical journey. She said that the film Padmavati embroiled in recent controversies, represents the curbing of creative art, and that liberal voices are not heard. We are guided by a sense of a fear and the age of vision is being crippled from a very prime age, said she.
She demanded that one should stand up against all these fears and frightening state of affairs. She also talked about how female bonding is not addressed in cinema, and how the mindset of the society is still contaminated. She added that being a man is not acting macho and condescending, but being kind. On a lighter note, she narrated the story of her father, who, even when he was hospitalized, was obstinate about being acknowledged as an agnostic rather than as an atheist.

Women are not just properties on frame; Rima Kallingal

Amid a startling audience at VC Haris Smrithi Hall at Tagore, an open forum on the topic ‘Women in Cinema’ brought new perspectives on the role of women in the 90 year long history of Malayalam Cinema. The panel discussion went on to cover various topics such as the recent incident of an attack on an actress and to the formation of molly wood’s first women’s collective. The panelists were actress Parvathi and Rima Kallingal, cinematographers Fowzia Fatima and Maheen, Directors Vidhu Vincent, Geethu Mohandas, and Suma Jose and film critic Deedi Damodaran. The session was moderated by writer Meena T Pillai.
This film festival is changing the undercurrents of Malayalam cinema, especially for women, said Vidhu Vincent. In old days, film societies were the only window to world cinema. But when we look back, we can see that they were dominated by men. Unfortunately, that is the case even now. Challenges and boundaries of women in cinema are getting wider and wider day by day. How many women are economically able or having an open space to go to the theatres alone, asked Rima Kallingal. What we want to have is equal representation for all in Malayalam Cinema – let it be men, women, and transgender, gay or lesbian. We frown when we watch two men or two women making out on the screen because we are not used to it. We have to see more of that every day in our movies to change it, Rima added.
Sharing her traumatic personal experience, Actress Parvathi said she was engaged in an abusive relationship in her younger days even after she was physically hurt because of the wrong perception of relationships she had from Malayalam films of that time. We were grown up watching the hero who receives applause in the theatres when he slaps a woman on screen. There aren’t many movies which explores the sexuality of women in Malayalam Cinema till now. It is through books that I gained the right perspective, she said. She also added that our film industry is a failure in depicting characters without emphasizing their gender. Change has to begin at economic level. Women have to be financially independent first and the narrative of movies should change in favor of women so that more women audience will come to the theatres.
Vidhu Vincent said some producers are not willing to make movie with the victim of the recent attack in the lead role anymore. It is as if a part of the industry has erased her off from the cinema sphere. Director Suma Jose said that both women and men are responsible for the identity and space of women in various fields of life. More women should come forward bravely against all the odds they face from their family and society. Cinematographer Maheen Mirza said the grammar of current cinema is extremely misogynistic. But language of cinema is slowly changing.
Director cum actress Geethu Mohandas said she had the privilege of working with some beautiful male directors who consider everyone as equal. But that’s not the case for all. The formation of Women’s Collective in Cinema (WCC) happened at a time of extreme need. A few of us came together the next day after we heard about the tragic experience one of us had to go through. That’s where this core team was formed. It happened as a natural reaction after I got a call in the morning saying my coworker was brutally attacked. It brought us together. If you touch one of us, all of us will react. We won’t stand still and WCC will always be there for women in need.
Cinematographer Fowziya Fatima shared her bitter experience in shooting item numbers for movies. She said showing nudity on screen is ok if it is aesthetically needed, but women shouldn’t be just flesh oriented performers. Meena T. Pillai concluded the session by saying, most of the time, the camera acts only as the eyes of a man. This should change and more women should be part of the mainstream cinema.